Which Taylor Swift Songs Are About Matty Healy? A TTPD Deep Dive

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Written By Antoine Faucher

Taylor Swift and The 1975’s Matty Healy’s brief fling captivated the public eye. Though short-lived, many fans believe their romance left its mark on Swift’s 2024 album, The Tortured Poets Department (TTPD). Released amidst breakup rumors, TTPD has Swifties dissecting lyrics, timelines, and fan theories to decipher which songs, if any, chronicle this whirlwind romance. While purely speculative, the timing and lyrical content offer intriguing possibilities.

Decoding the Potential Healy Tracks on TTPD

TTPD‘s release so close to the rumored breakup has fueled speculation about its connection to Healy. Let’s explore the key contenders and the evidence that has fans buzzing.

“Peter” – A Peter Pan Complex?

“Peter” centers around a figure who promises to grow up and return. Fans have connected this to Healy, often dubbed a “Peter Pan” figure, and his past interactions with Swift. The lyrics “You said you were gonna grow up / Then you were gonna come find me” resonate with their reported 2014 connection when Healy was 25 and Swift younger. Further fueling speculation, Swift dedicated “Cardigan” from folklore, a song with the telling line “Peter losing Wendy” and previously linked to Healy, to him during her 2023 Eras Tour. Could “Peter” be a continuation of this narrative?

“Fortnight” (feat. Post Malone) – Mirroring a Brief Romance?

The title “Fortnight,” meaning two weeks, aligns with the reported duration of Swift and Healy’s 2023 fling. The song’s theme of a short-lived connection adds to the intrigue. The collaboration with Post Malone might obscure any direct references, but fans speculate that hidden meanings about their time together might be woven within the lyrics.

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“The Tortured Poets Department” – A Telling Title and Cryptic Clues?

Even the album title itself has sparked discussion. “The Tortured Poets Department” suggests an emotionally charged and complex creative process, mirroring the intensity often associated with Swift’s songwriting. The album’s recurring typewriter motif subtly connects to Healy’s literary interests, adding another layer to the speculation.

“Fresh Out the Slammer” – From Controversy to Taylor?

This title’s prison imagery suggests release and return. Fans theorize this could symbolize Healy’s re-emergence into the public eye alongside Swift after past controversies. Another interpretation posits it represents escaping the pressures of their high-profile relationship. The album’s timing strengthens these theories.

“But Daddy I Love Him” – Defiance in the Face of Disapproval?

This track echoes themes of forbidden love and familial disapproval, similar to “Question…?” from Midnights. This has led fans to believe it might relate to the public scrutiny Swift and Healy faced, potentially revisiting similar emotional territory with a different context.

“My Boy Only Breaks His Favorite Toys” – A Toxic Dynamic?

This song explores possessiveness and destructive relationship behaviors. Fans speculate these lyrics might reflect aspects of Swift and Healy’s dynamic, with the melancholic tone suggesting underlying tensions.

“So Long, London” – A Farewell to Two?

While potentially about her previous relationship with Joe Alwyn, some fans suggest “So Long, London” could also represent the end of Swift’s time with Healy, referencing their transatlantic romance often documented in London.

Other TTPD Tracks – More Pieces of the Puzzle?

Several other tracks have fans searching for clues. Songs like “The Smallest Man Who Ever Lived,” “imgonnagetyouback” (with its lowercase styling reminiscent of The 1975’s aesthetic), “Down Bad” (with its alien abduction metaphor potentially representing the emotional rollercoaster of their romance), “Florida!!!”, “Guilty as Sin?”, “Who’s Afraid of Little Old Me?”, “I Can Fix Him (No Really I Can)”, “Loml”, “I Can Do It With a Broken Heart”, “The Alchemy”, “Clara Bow”, “The Black Dog”, “thanK you aIMee”, “So High School”, “Cassandra”, “I Look in People’s Windows”, “The Prophecy”, and “The Manuscript” all warrant further lyrical analysis.

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Fan Theories and Further Speculation

Beyond individual song interpretations, broader fan theories add to the intrigue. A TikTok video analyzing “Fortnight” highlighted its black-and-white visuals, lab setting, and box motif, elements some fans believe mirror The 1975’s aesthetic, suggesting a potential coded message. The mention of “Chocolate” in TTPD, also a The 1975 song title, further fuels speculation. “Guilty as Sin?” opens with a lyrical allusion to The Blue Nile’s “Downtown Lights,” a band Healy admires, prompting theories of a subtle tribute. Finally, “I Can Fix Him” and “But Daddy I Love Him” seem to resonate with the public discourse surrounding their relationship, possibly reflecting Swift’s perspective on the scrutiny they faced.

The 1975’s Response and the Ongoing Mystery

Healy’s reported lyric, “Keep your head up Princess, your tiara is falling,” from The 1975’s “God Has Entered My Body,” appears to address Swift after TTPD‘s release. Its intent remains ambiguous – sarcasm, comfort, or something else entirely. His earlier denial of writing about short-term relationships adds another layer, complicated further by calling TTPD “hilarious” and downplaying their significance.

Song Title Potential Healy Connection Lyrical/Thematic Clues
“Peter” Healy’s “Peter Pan” persona, 2014 connection Lyrics about a Peter Pan figure, potential callback to past interactions
“Fortnight” Length mirroring their 2023 fling Themes of a brief, intense romance
“The Tortured Poets Dept.” Healy’s literary interests Typewriter motif, poetic themes
“Fresh Out the Slammer” Re-emergence after controversy/relationship Themes of release and return
“But Daddy I Love Him” Defending a controversial relationship Themes of forbidden love, familial disapproval
“imgonnagetyouback” Reconciliation after a split; The 1975 aesthetic Lowercase styling reminiscent of The 1975
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Conclusion

While the connections between TTPD and Matty Healy remain speculative, the timing, lyrical content, and fan theories offer compelling possibilities. This analysis relies heavily on interpretation and lacks definitive confirmation. Whether intentional or coincidental, these connections enrich the listening experience for many fans. As always with Swift’s music, the detective work and ongoing discussion are part of the fun. Only time, and perhaps future releases or statements, will reveal the true extent of Healy’s influence on TTPD.